Designed and build by Vito Kobliha - 1(323) 228 9022- vito@unitedfilms.com
35/16mm dual high speed film digitizer
Also with 24 bits sound capture and sprocket less option for shrunken film to digitize all your archival footage fast.
Designed and build by Vito Kobliha - 1(323) 228 9022- vito@unitedfilms.com
35/16mm dual high speed film digitizer
Also with 24 bits sound capture and sprocket less option for shrunken film to digitize all your archival footage fast.
Portable high speed film scanner - digitizer. Picture + analog sound option.
This dual machine can be easily transported sent to film archive location etire film archive can be digitize water marked and encoded and posted on internet.
Digitized footage can be previewed and footage for full restoration and preservation is selected for high res and bit depth scans or RGB seps.
Base price 16/35 single head machine + software 14000 USD
Dual head machine + software 17000 USD
Up to 3K - Camera manual and detailes .
6fps at 3K
24fps at 1080
65fps at SD
You can configure any
resolution up to 3k
FILM TRANSPORT
The film transport is mounted on an aluminum alloy plate 3/8" thick, stress relieved and precision ground. The mechanism employs a double flywheel flutter suppressor system and a single film sprocket. Sound drums, rollers and shafts are precision machined from non-magnetic stainless steel. Ball bearings used are of the selected stainless steel type. A quartz precision dashpot with a self-lubricated piston provides effective dampening of film motion against disturbances caused by film splices. The unit has an automatic film loop setter which locks the filter rollers when threading, assuring the correct length of the film loop. A de-tented tension switch adjusts for correct filter roller position. The tight loop film pulling mechanism permits complete interchange from one film size and speed to the other without altering or modifying the film transport.
Crystal speed control, Stepping motor sprocket drive CMOS logic and control, 2x speed local,
Reel Spindle Drive & Controls
Single phase torque motors, Reel size take-up torque torque selector, Selector CW/CCW rotation upper spindle, Automatic film cutoff switch, wind and rewind buttons.
Rewind Time
400 feet.................................. 30 Seconds
1000 feet................................ 1 Minute
2000 feet................................ 2 Minutes
Dimensions
83" H x 18" D 27" W
Weight
300 lbs
Inexpensive but still good quality alternative solution to telecine and expensive 35mm 16 mm film scanners. We can build this machine ( one camera head machine + all the hardware and software ) for around 14 000 usd. We also do FILM DIGITIZING SERVICES 150$ per 1h of 16mm or 35mm film up to 3K resolution
this Machine . It is external trigger 3 k camera synchronized with LED strobe light and image. Image is sharp, crisp colors and very steady.
Scans real time 24 fps at SD or HD up to 3k at 24 bits ( remember 99 % of all the monitors and TV are 24 bits ) You can also do primary color corrections with included software RGB gain gama and white balance.
With upgrade you can also capture and record sound from optical track.
Can be used for High speed film picture and sound inspection and QC at up to 900 fpm With dual head you can match and compare two rolls of film.
Frame samples
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Files out convertor
Camera Manual
United Films USB 2.0 Buffer camera is designed for machine vision film scanning applications, With high speed USB
2.0 interface and powerful PC camera engine, the camera delivers image data at high frame rate. GUI demonstration
application and SDK are provided for user’s application developments.
PC Requirement
United Films USB Camera is using USB 2.0 for data collection, USB 2.0 hardware MUST be present on user’s
PC and United Films device driver MUST be installed properly before using United Films demonstration application OR
developing application with United Films SDK.
The minimum requirements for PC are:
Processor: Pentium III, 900M
OS: Windows 2000, Windows XP, Windows Vista
RAM: 256M (512M or greater recommended)
Hard Disk Space: 40M for software installation.
USB 2.0 Host Controller: Present.
As the camera draws ~360mA from USB port, user should use AC powered PC and self powered USB Hub (if
connected) to connect with the camera.
Camera Modules:
Please refer to the following table for camera modules and their main features:
Module Max
Resolution
Color/Mono Shutter Exposure
Time (ms)
Bit Enclosure GPIO Buffer **
(frames)
Trigger In
/Strobe out
*. “-U” modules are with C mount interface, while “-US” modules are with CS mount interface.
**. Buffer means the camera built-in frame buffer, the value shown is frame buffer under maximum resolution at
8 pin Din connector as following:
(The following figure is the receptacle of the 8pin connector on the camera module)
Caution: For user wants to use those pins, user must be very careful not to shorten two different signals . Doing so may
damage the camera, in worst case, even the PC itself.
Note:
1). Trigger_In : External trigger signals are mainly used while the camera is set in TRIGGER mode,
(however, in NORMAL mode, each frame has a related flag to show whether trigger signal occurred
during this frame). The Trigger_In is a LVTTL signal (relative to Pin2, GND), it’s pulled up with a
10Kohm resistor on camera, a falling edge on it asserts a valid trigger signal. In most cases, an external
circuit will generate the trigger signal, user has to be careful that a noise filter might be needed to get rid of
any noise glitches on this signal. Note that on current design, the trigger delay is less than 250us, however,
please note that the frame is ready after it’s exposed (the “Exposure time” elapsed).
2). Strobe_Out: This is a signal from camera, For ERS (Electrical Rolling Shutter)
in TRIGGER mode, a strobe signal (positive pulse) might be helpful while the
last Row of the sensor starts to exposure, (Assume exposure time is long enough, this is also the moment
that all the rows are in exposure state), user might use it for triggering external lightings. It’s a LVTTL
positive pulse. For GS (Global Shutter) cameras a positive pulse synchronized
with the exposure period.
3). GPIO: 4 GPIO pins are provided, each GPIO pin provides LVTTL level and 8mA source/sink current while it’s
configured as output, it can also be configured as Input pin.
Pin1 : NC
Pin2 : GND
Pin3 : Trigger_In
Pin4: GPIO1
Pin5 : Strobe_Out
Pin6: GPIO2
Pin7: GPIO3
Pin8: GPIO4
Sowtware
The main window has two Tabs, the “Global Controls” Tab has all the controls which are effective to all
the cameras, while the “Camera Controls” Tab has controls which is only effective to the current camera.
Note: For setting proper exposure for an image, “Exposure Time” setting is prior to “Gain” setting, as high gain will increase image noises, it’s recommended to set Gain not more than 32(4x) in most applications.
current camera.
: Start/Stop Frame Grabbing. : Show Video window.
: Show factory panel. : Show GPIO panel. : Show Device select panel.
(This panel allow user to re-select the cameras in working set).
Mode selection for current camera
Resolution and 1:2 decimation selection for current camera, user might use
Button to define customized row and column size. (4 as minimum in non-decimation
mode, and 8 as minimum in 1:2 decimation mode). For B050/C050 Camera, it has 1:4
and “Bin Mode” selections, allow user to set 1:4 decimation mode, and if the decimation
is “Skip” or “Bin”.
Exposure Time for current camera.
When “Auto Exposure Enable” is checked, the current camera will be automatically
controlled by the camera engine for optimized exposure time according to the exposure
detection of a small rectangle area in the center of the image, this small rectangle area
can be shown while the “ShowAEMark “ is checked (in “Global Controls” Tab).
X,Y and Gain Control of current camera, Note that (X,Y) control is only effective while
the resolution is NOT set to maximum (e.g. 1280x1024 for 1.3M camera), while the
resolution is set to a sub-region of the sensor, X,Y slide bar allows user to move the
region (ROI) on the sensor.
For Color Cameras, there’re Red, Green and Blue Gains which can be controlled in 1 –
64 range (0.25x –8x). For Mono camera, only Green Gain is present, and it’s the Gains to
all the pixels on Mono sensor. Note that set high gain will increase the camera noise, for
most applications, it’re recommended not to set gain more than 32 (4x)..
Auto White Balance” feature, while doing this, please make sure the
focus, exposure time are properly set and user can put a WHITE paper on the focus
object…and then click this button. Camera engine will figure out proper R, G, B gains to
make the “White paper” looks white. Note that it’s only effective for color camera.
: it’s used to increase/decrease the RGB gains in proportional steps.
User might use the button to save frames to files, here, user might select the
directory, filename, frame number, and also has the following controls:
“
Ignore 1:2 decimation” : If it’s checked, the saved frame is always in “Nondecimation”
way, even the resolution for current camera is in 1:2 decimation.
“Save As JPEG File” : The file saved is in JPEG format, otherwise is in BMP format.
Note that here we assume the “Grab Frame Type” in “Global Controls” is set as
“Bitmap Image”, if it’s “Raw Data”, these two checkboxes are disabled, as the saved file
is always in RAW data format under the current resolution/decimation setting.
“Append Date_Time”: When it’s checked, a string of “YYMMDD_HHMMSS” is attached
to the File Name for each frame file.
These two buttons are used for user to save/load the settings (of current camera)
to/from a “.set” file. User might save all the current settings (e.g. after “Auto White
Balance”) to a file…and later load it from the file.
The status bar here show how many cameras in working set, and whether the
current camera engine is selected as 8 or 10 bits. It also shows which camera is selected
as “current” camera, note that all the camera settings in “Camera Controls” tab is
“local” to this camera only, while user selects another camera, all these settings are
switched to the settings of the new camera.
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There’s a video window for each camera in working set, user can use the “Show Current Camera Image
Only” to control showing of the current camera’s video window only OR showing of all video windows. One example
is as following (in this case, there’re two cameras in working set, and their video windows are all shown):
Frame Data Format for all cameras. While it’s set as “Bitmap Image”, the
image data from camera engine (and thus shown on video window and
might be saved to files) are always 8bit no matter the camera bit selection is
8 or 10 bit. While it’s set as “Raw Data”, there’s no video will be shown on
video window, however, the data saved to file will be according to the
camera bit selection, it might be 8 or 10 raw data.
Set the show style of the video window, while “Same As Capture
Resolution” show the image in 1:1 style, the “Always Fit Render
Window” will stretch the image to fit the current video window size. (This
needs much more PC resources, and thus will affect the final frame rate).
“Show Current Camera Image Only”: while it’s checked, only the
current camera’s video window will be shown, otherwise, all the video
windows (one for each camera) will be shown.
“ShowAEMark” : This is for controlling of appearance of the “Automatic
Exposure Control” detection area mark.
Global Gamma, Contrast and Brightness control for BMP image of all
cameras. These parameters are used in camera engine while converting the
Raw image data to bitmap image.
Global control for images display attributes for all camera.
These are two special features for frame grabbing, when the “Grab Files
From all attached cameras” is checked, the application will take the “Frame
Grabbing” ( click of button of the current camera) as global action, that
is, clicking this button for current camera will be equivalent to clicking this
button for each camera (one by one) in working set. Before doing that, user
might need to set proper File grabbing parameters for each camera in its
own “Camera Controls” tab.
“Trigger To Grab Frames in Video Mode” is used in CONTINUOUS mode
only, while it’s checked, a trigger signal on the current camera is the
equivalent to the click of button.
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The title of the video window has the following format:
Camera No Resolution (Bin Mode) (X,Y) ExposureTime (Rgain, Ggain, Bgain) TimeStamp FrameRate.
An example from above is:
There are some other windows as following:
Camera No Resolution Xstart Exposure Gains (R,G,B) TimeStamp (in ms) Frame Rate
“[]” on the (1:1) or (1:2) Ystart Time(in us)
No. means means Non-Bin
It’s the current OR Bin mode.
Selected Camera
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The button is for operation of GPIO of the current camera.
On this dialog, user can configure the 4 pins as Output or Input, for output pins, check the “Outx” box will
set the pin to HIGH. For input pins, the “Inx” check box is checked while the input is HIGH.
The button allow user to re-select cameras in working set, note that while doing this, the application
will stop the camera engine first….and then allow user to select cameras, the device selection window will
show again (this window shows up while starting the application) and user can check the camera if he wants to add it in working set, otherwise, leave it unchecked.
Note that this is similar to re-start of the application.
The button is used for show the factory control dialog, user might use it for firmware version query
and firmware upgrade.
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For DSP firmware upgrading, user should go this dialog, and then use
to select the new firmware (*.ldr file), And user can click
button to start the downloading.
After downloading is successfully, user should power cycle the camera (simply plug Out/In the camera
from the USB port), this will activate the new DSP firmware.
Click to button will get firmware version information
from camera.
User can upgrade DSP firmware with those controls, for
details, please refer to the following descriptions.