Killer Cutter Post-Production

Ryan Ashford

Editor et al

ryan@undercoverbob.com

213 713 0370

 
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Directors and producers hire me for my incredibly multifaceted skill set and inexhaustible creativity.

I started my career in the film/tv biz at the tender age of 6 as a child actor. When the same technology that I saw editors and engineers use in post production became available to the public for use on home computers, I stopped writing papers for my classes and started turning in VHS tapes instead. It has been 20 years since then and I now consider myself fluent in the language that is digital media.


Although I am often titled Editor I regularly find myself doing far more than merely cutting frames. In my line of work, I am an inspired collaborator, a marksman troubleshooter, an artist, a philosopher, a musician, a technician, a teacher and a leader. I have a broad skill set and a refined sense of style that many of my clients find indispensable.  Where my own talent and experience won’t suffice, I can count on support from my team of friends and colleagues who often lend me their talents in my never-ending pursuit of the perfect production.

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Equipment:

17” Macbook Pro (field use), 8-Core Mac Pro,

23” Apple Cinema Display, Roland DS-50 A Monitors


Software:

Final Cut Pro Production Suite 2, Adobe CS4 Production Premium,

Logic Studio 8, Assorted SFX Libraries & Stock Images/Animations


Facilities:

Private edit bay at Hollywood Production Center


Amenities:

Catering, Gym, Locker Room


Support:

Nick Nikolov (Assistant Editor), Tim Hayes (Audio Engineer),

Roxy Zuckerman (3D Animator), Jon Anderson (Motion Graphics Artist),

Sara Bond (Screenwriter)


Rates:

$1,500/week, $500/day, $100/hour, negotiable by project