Killer Cutter Post-Production
Directors and producers hire me for my incredibly multifaceted skill set and inexhaustible creativity.
I started my career in the film/tv biz at the tender age of 6 as a child actor. When the same technology that I saw editors and engineers use in post production became available to the public for use on home computers, I stopped writing papers for my classes and started turning in VHS tapes instead. It has been 20 years since then and I now consider myself fluent in the language that is digital media.
Although I am often titled Editor I regularly find myself doing far more than merely cutting frames. In my line of work, I am an inspired collaborator, a marksman troubleshooter, an artist, a philosopher, a musician, a technician, a teacher and a leader. I have a broad skill set and a refined sense of style that many of my clients find indispensable. Where my own talent and experience won’t suffice, I can count on support from my team of friends and colleagues who often lend me their talents in my never-ending pursuit of the perfect production.
Equipment:
17” Macbook Pro (field use), 8-Core Mac Pro,
23” Apple Cinema Display, Roland DS-50 A Monitors
Software:
Final Cut Pro Production Suite 2, Adobe CS4 Production Premium,
Logic Studio 8, Assorted SFX Libraries & Stock Images/Animations
Facilities:
Private edit bay at Hollywood Production Center
Amenities:
Catering, Gym, Locker Room
Support:
Nick Nikolov (Assistant Editor), Tim Hayes (Audio Engineer),
Roxy Zuckerman (3D Animator), Jon Anderson (Motion Graphics Artist),
Sara Bond (Screenwriter)
Rates:
$1,500/week, $500/day, $100/hour, negotiable by project